Version 9 of a 2-version deal
Re-edits are the most expensive revisions in any creative field — hours of timeline work per "small note". Unpaid, they erase the project’s profit.
"Love it! Small notes: different music, new VO, lose the middle section, and can my cousin be in it?" Version 9 of a two-revision edit is where video margins die. Rixio counts cuts against a signed allowance and prices everything beyond it — before you re-open the timeline.
Videographers, editors, animation studios and production companies use Rixio to keep post-production rounds finite and paid.
Re-edits are the most expensive revisions in any creative field — hours of timeline work per "small note". Unpaid, they erase the project’s profit.
Monday’s notes, Wednesday’s notes, the CEO’s Friday-night notes. Each partial batch restarts the edit and the argument about what round you’re on.
The deal was one hero video. Now it’s also five verticals, three cutdowns and a square version "since you have the footage".
"Two rounds of consolidated notes" is in the signed agreement. Batch three — or notes after picture-lock — trigger a priced change order automatically.
Cutdowns, verticals and extra versions become change orders with per-deliverable pricing. Signed before rendering, not negotiated after.
Treatment → rough cut → fine cut → final delivery. Each gate needs a signature and releases a payment. Final files ship when the final invoice clears.
Clients approve cuts and sign change orders from a guest link — no accounts, no portals to learn, no excuses.
The standard that protects margins is "consolidated notes per round" with a fixed number of rounds in a signed agreement — plus a formal paid process for anything beyond. Rixio enforces it automatically: rounds are counted against the signed allowance, and the batch that exceeds it becomes a priced change order the client signs before the edit reopens.
Yes — and you should. In Rixio, additional formats beyond the signed deliverable list become change orders with your per-deliverable price. The client signs, then you render. "Since you already have the footage" stops being an argument.
Projects are split into phases — for example treatment, rough cut, fine cut, final delivery. The client approves each phase with a typed-name signature, and payments are gated to those approvals, so post-production is financed as you go rather than on a moving final deadline.
Yes. Production companies use the Studio plan or lifetime license for up to 25 seats — editors, producers and account leads get role-based access, per-project assignments, and an internal dashboard, while clients see only their calm, professional portal.
Set up your first project in minutes — scope items, revision allowances, and a client link.